Tuesday, January 23, 2018

Ransom - "Soul Asylum"



Ransom - Soul Asylum 
1992/2017, Roxx Productions

1. Soul Hymn
2. Exit (Euthanasia)
3. Windows of My Heart
4. The Lies
5. Prayer Asylum
6. Only the Just Let Go
7. Not That Kind of Girl
8. Watching Over Me
9. Higher Ground
10. Sister Blue

For Ransom's second album the trade in the shiny, metallic sounds of the debut for something a bit more earthy, organic, and bluesy. It leans a little more towards the hard rock side than the metal side. This is not a negative however as the slight shift gives vocalist Lisa Faxom even more room to shine. She was truly one of the hidden gems of the Christian rock scene. I don't think she ever got the kudos she deserved. I have grown to prefer this album over their first. Soul Asylum was the band's last album. A shame...as I think if there was a band that could have still sounded good during the alternative days it's this one. This edition is a reissue from Roxx Productions with lyrics and liner notes and everything. Good job, there! I always like when reissues have the whole package. I guess this one was strictly limited to 300 copies - mine is #74.

Useless Fact: Not really a fact... more a question. What ever happened to Lisa? We've got some recollections from bassist Michael Preciado but I'd hate to think that she stopped singing after Ransom ended.

Tuesday, January 16, 2018

Xalt - "Dark War (Retroarchives Edition)"



Xalt - Dark War (Retroarchives Edition)
1988/2017, Retroactive

1. Ariel
2. The Cross
3. God In A Box
4. Where Victory Storms
5. Angry Fire
6. Ready For The Fight
7. A Warrior's Honor
8. Looking Down a Loaded Gun
9. Palace Daydream
10. Soldiers in the Mist
11. Dark War
Bonus Tracks:
12. Under the Ruins (Demo)
13. Wounded Heart (Demo)
14. The Kingdom Within (Demo)
15. Lift Him Up (Demo)
16. The Fortress (Demo)
17. Through the Night (Demo)

I'm mostly familiar with Xalt through their third album, History, and the totally awesome cover art for Under the Ruins. I was aware of Dark War mostly because of its cool cover art and the fact that it was never released on CD. I never saw this album around anywhere either. Though I think this was more of an independent release before the band was signed to Pure Metal. Well, unlike more pop/hard rock direction of History, this album is well... pure metal. It's one of those albums where the passion of the players shines through the rough production. You can tell this was a labor of love with every note. It also helps that the songs boast some impressive guitar work along with Scott Doerfler's soaring, clear vocals. I keep coming back despite the all the tape hiss (hey... you can only do so much when putting a tape on CD, y'know?). This edition comes with some demos for Under the Ruins. They kind of got me hoping Retroactive is planning on reissuing that album as well.

Useless Fact: In the liner notes, guitarist James Erdman admits that "Looking Down a Loaded Gun" sounds a bit too much like Dio's "Straight Through the Heart."

Tuesday, January 9, 2018

Seventh Angel - "Demo Collection"



Seventh Angel - Demo Collection
2017, Bombworks

Red Demo:
1. Heed the Warning
2. In the Name of Christ We Rock
3. Betrayer
Rehersal Demo:
4. Dr. Hatchet
5. Divine Takeover
6. Betrayer
7. Locked Up in Chains
Heed The Warning Demo:
8. Forbidden Desires
9. Seven Angels Parts I and II
10. I of the Needle
11. Heed the Warning
Dust of Years Demo:
12. Lamentations
13. The Turning Tide

The Demo Collection is just what the label says - a collection of the band's first three demos with a couple from The Dust of Years as a bonus. The sound quality is pretty decent for being demos and it's kind of cool to hear a couple tracks the band never released on a studio album. The best of the bunch remains the Heed the Warning demo. Of course we already got that with the previous demo collection. I'd say this is mostly for avid fans and collectors like myself. The package is pretty cool - a big fold out digipak - with some notes on each demo by Ian Arkley.

Speaking of which, he says in the notes for the Rehersal Demo that he hates the lyrics to "Dr. Hatchet" which he calls, "a song about big subjects written by someone with infantile opinions." He goes on to say that no matter what one's stance on the issue there are better ways of expressing it. I just think it's pretty interesting he would say that. As my own opinion on abortion has changed. I mean... I still hate it. Hate it. But instead of yelling at people about how bad it is I am much more of the mind that we should listen and help. Don't tell an person wanting an abortion that they are evil for wanting one. Offer to help. Make abortion the bad choice by creating better choices. Yelling at people and shoving ghastly imagery in their faces had been tried and it has not been successful. Perhaps we should try something different, yes? So I guess I agree with Mr. Arkely - like the song, but the I'm definitely not as wild about the lyrics.

Useless Fact: Not a fact about the band, but "Seven Angels" is one of my favorite Seventh Angel songs. Too bad it never saw an official studio release. Also... if I didn't say this already "Heed the Warning" and "Seven Angels" appeared on the compilation Last Ship Home. A comp I want just for the Rodney Matthews cover art.

Friday, January 5, 2018

Fear Not - "Fear Not (25th Anniversary Edition)"



Fear Not - Fear Not (25th Anniversary Edition)
1993/2017, Roxx Productions

1. Give It Up
2. We Have a God
3. Mr. Compromise
4. Til the End of My Days
5. Suicide Sunshine
6. Money Money
7. Easy Come Easy Go
8. There Is Love
9. Mad World
10. Take a Hold
Bonus Tracks:
11. You Got Love
12. Love is Alright

I'm glad that Fear Not's one and only release has been reissued. I'm also glad that Roxx put some real time and effort into this one. I've mentioned how this band missed being the next big thing by a couple years. This edition highlights everything the band got right and why it's such a shame they never got the recognition they deserved. Everything here clicks. The guitar tone is nasty and thick. The production is spot on. The song-writing is top notch and ultra-catchy. The cover has been reworked into something more metal and it looks great (though I never had a problem with the old cover art). We've even got some bonus tracks that sound pretty good - a bit more modern, for sure. Kind of like what the band might have done in like '95 or '96 had they had the chance to do another album. Oh! And the liner notes! Full booklet with lyrics and an interview from Larry Worley! Were they just the Christian version of Skid Row? Um... a little... but they pull it off with finesse and style and this album is fantastic. I'm glad I can finally replace my original version (it suffered from water damage and CD rot).

Useless Fact: I guess except for a few shows here and there the band never got to actually go on tour. Another shame...

Monday, January 1, 2018

Favorite Albums of 2017

Here we are… another year over. 2017 has been a pretty crap year for everyone it seems. Personally, it was pretty challenging but not working retail made it a bit more bearable. Also, the music was pretty dang good! As usual I’ll be picking five main ones, three honorable mentions, and then various and sundry.

TOP PICKS OF 2017

Xandria, Theater of Dimensions – It’s too bad Dianne Van Giersbergen left/got kicked out. It seemed like they’d really found their groove as Theater is probably the best Xandria album I’ve heard so far. It pretty much dominated the first part of the year.

Cooper, Alice, Paranormal – Like I said, it seems like a pretty by-the-numbers Coop disc. It features a couple songs written by the original Alice Cooper band. But despite not risking much it’s such a blast to listen to with good, fun songs and lots of energy. Isn’t he like… in his 70’s at this point?

Bent Knee, Land Animal – This pretty much came out of nowhere. I’d never heard of Bent Knee before but they’ve been around a while. Land Animal is their forth album. It’s eclectic and fierce and all over the map stylistically. If there was one album that was completely different from anything else I heard this year it was this one.

Paramore, After Laughter – It seems like any time Paramore comes out with a new album, it ends up on my year-end list. It’s rare to have a band as consistent as this. Four albums in a row that I’ve loved. That’s a rare feat and I’m happy to add Paramore’s dour-yet-bubblegum-but-really-sad-also-it’s-the-eighties album to the list.

Galactic Cowboys, Long Way Back to the Moon – If Bent Knee had the most challenging album of the year, Galactic Cowboys had the most comfortable. Not that there’s anything wrong with that. The boys have come back from a seventeen-year hiatus with a quality album that’s just as good as the stuff from their heyday. Not that they actually had a heyday, mind you. This was a fantastic way to cap off the year and I hope this isn’t a one-off reunion.

HONORABLE MENTIONS

Ayreon, The Source
Living Colour, Shade
Sons of Apollo, Psychotic Symphony


FAVORITE ALBUM FROM 2017 THAT TECHNICALLY WON’T BE OUT UNTIL 2018

Deliverance, The Subversive Kind – I was a backer for this album because Deliverance is one of my favorite bands of all time. This particular effort was billed as a return to the band’s thrash roots. Boy howdee is it ever. I think this is probably the band’s heaviest album to date. This won’t be out for a bit yet but I’ve been grooving on it since October.

FAVORITE ALBUM FROM 2016 THAT I DIDN’T GET TO HEAR UNTIL 2017

Lady Gaga, Joanne – I’ve had kind of a spotty relationship with Lady Gaga. Loved The Fame and The Fame Monster. Hated Born This Way. Liked ARTPOP okay but I didn’t think it was anything spectacular. Joanne, however, is brilliant. Gaga has matured significantly for this album and it shows. The title track is one of the best songs she’s written, period. Now I heard some great albums from 2016 in the first part of 2017 (Testament, A Tribe Called Quest, and Flotsam & Jetsam spring to mind) but Joanne was the one that really stuck with me. Especially since the more melancholy vibe of the album kind of fit with what I was going through with my father dying in February.

FAVORITE REISSUE OF 2017

Fear Not, Fear Not – I haven’t reviewed this one yet but it’s a pretty easy pick. Fear Not was a commercial Christian hard rock band that missed the big time by about two years. This debut came out just as alternative and grunge was altering the music landscape. It’s unfortunate because this reissue proves just how great this album is. Everything clicks, from the guitar tone to the production to the songs themselves. The cover art is also a bit more befitting a rock band as well.

FAVORITE RANDOM ALBUM I HATED FROM MY YOUTH BUT GREW TO LOVE IN 2017

P.I.D., The Chosen Ones – I liked Back to Back waaaaay back in the day and I bought The Chosen Ones this year because I wanted to hear some old school Christian rap that I hadn’t already heard a million times. I remember that I didn’t like this when I bought it originally but I couldn’t tell you why. This time, however, I got it. Whatever “it” is. Of all the old Christian rap I got this year, this one rose to the top of the heap as one I wanted to listen to again and again. I also really liked No Room 2 Breathe by Dynamic Twins but this year was the first I’d ever heard it.

ALBUMS I’M LOOKING FORWARD TO IN 2018

Marmozets, Knowing What We Know Now
Ty Tabor, Alien Beans
Eraserhead, Eraserhead

And there you have it! What were some of your favorite albums from this year?