Monday, February 1, 2016
W.A.S.P. - Golgotha
2. Last Runaway
4. Miss You
5. Fallen Under
6. Slaves of the New World Order
7. Eyes of My Maker
8. Hero of the World
I never was much of a W.A.S.P. fan back in the day. They were certainly notable for being one of the bands that parents loved to hate. I believe they were also recipients of Tipper Gore's ire. While I've never followed the actual music, I have been interested in frontman Blackie Lawless' spiritual evolution over the years. Come to find out the man is now a full-fledged Christian. Well... bless be. I bought this album because I was curious what someone who wrote songs like "F**k Like a Beast" and "Don't Cry, Just Suck" would be doing as a Christian. I also noticed that it was on a lot of metal fans' "best of" lists for the year. I'm not sure how it would measure up to their "glory days" but Golgotha is a rock solid album full of good hooks. As I expected, the lyrics are a lot more mature and spiritual as well. Of note is the ballad, "Miss You," about grieving the death of a loved one. The emotion really comes through here and makes the song just that more compelling. I'm definitely glad I picked this one up!
Useless Fact: The only thing I really know is that back in the day, Blackie used to wear a codpiece with a buzzsaw blade protruding from it. Because he was really into subtle innuendo back then.
Monday, January 25, 2016
Genesis - Duke
1. Behind the Lines
3. Guide Vocal
4. Man Of Our Times
7. Turn It On Again
8. Alone Tonight
10. Please Don't Ask
11. Duke's Travels
12. Duke's End
Some decry Duke as a sellout, claiming it’s the final nail in the coffin for a once great progressive rock band. They claim Phil Collins ruined the band and that it became infested with puerile sugary pop. Yet others say Duke is a masterpiece that perfectly blends their progressive rock past with more pop melodies and sensibilities. I especially appreciate how opinions are either one or the other. Reviews I’ve read tend to be passionate - extreme hate or extreme love. I haven’t read one that said, “Duke? Meh.” Nope. Duke is an album that provokes some pretty strong emotions.
But a sellout? Eh… I don’t think so.
I can’t imagine what the reaction would have been of someone who’d heard “Misunderstanding” or “Turn It On Again” on the radio and bought Duke thinking they were going to get some catchy seventies pop. The album does not start such a casual listener off gently. “Behind the Lines,” “Duchess,” and “Guide Vocal” start a one-two-three punch of progressive mastery. I always knew Phil Collins played drums, but I never knew just how good he is. These three tracks were a revelation and I was in awe of the vibrant, expressive drumming on display. Next we get the rolling and contemplative “Man of Our Times,” which isn’t exactly radio material either.
Finally, “Misunderstanding” provides the first taste of what I would call “pop” as it’s pure seventies radio rock. Of course, it’s followed by “Heathaze,” which is a fairly mournful sounding tune. In fact, the album itself is, despite the bright, melodic synths everywhere, quite morose. Phil Collins was going through a divorce at the time and wrote “Misunderstanding” and “Please Don’t Ask.” Despite the former’s more upbeat sound, it is quite poignant, as is the later – especially when Collins tells his estrange wife that he misses his boy and that he “hopes he’s good as gold.” You’ve also got “Alone Tonight” which is another song filled with longing for lost love.
How is this a sellout again?
The album ends with “Duke’s Travels” and “Duke’s End” a duo of mostly instrumental progressive rock tunes that recall the three intro tracks. Naturally, these are a perfect finale. Of course, “Behind The Lines,” “Duchess,” “Guide Vocal,” “Turn It On Again,” and the last two songs were meant to be a suite called, “The Story of Albert.” They were broken up because the band didn’t want it to be associated with their other epic, “Supper’s Ready.” It also probably had something to do with not overwhelming our hypothetical record buyer who really liked “Misunderstanding.”
Now I haven’t heard any other Genesis albums yet so I don’t admittedly have much perspective. However, I tend to agree that the album is a good mix of prog rock and pop. It’s still pretty accessible while still throwing some challenging material at the listener. At first I had to get used to all of the synths and keys and the slightly seventies sounding production (some of which I’m still not used to). “Man Of Our Times” took some time to grow on me. However, with each listen I found myself enjoying and appreciating it more and more. It’s too early to tell if it will be one of my favorite Genesis albums, but I really like it now. If any of the other albums are of similar quality, I will have a good year, indeed.
Final Rating: 4.5 out of 5
Useless Fact: Apparently Mike Rutherford regrets not putting Phil Collins’ solo hit “In the Air Tonight” on Duke.
Monday, January 18, 2016
Spock's Beard - Day For Night
1999/2007, Metal Blade
1. Day For Night
4. The Distance To The Sun
5. Crack The Big Sky
6. The Gypsy
7. Can't Get It Wrong
8. The Healing Colors of Sound, Pt. 1
9. My Shoes
10. Mommy Comes Back
11. Lay It Down
12. The Healing Colors of Sound
13. My Shoes (Revisited)
14. Day For Night (Demo)
15. Gibberish (Demo)
A friend of mine had me listen to a couple tracks off this album years ago. At the time my reaction was, "Meh" because I was a fool. I went back to check out some samples and for some reason really twigged on to it. I got the CD for Christmas and... whoa. What the heck was my problem back then?! Day For Night is not only a fine album, it's has been one of the best albums I've listened to all year. The one thing that struck me is just how accessible it is. Sure, it's progressive but listening to it isn't challenging at all. It's almost like putting on a comfortable pair of shoes or easing into a warm bath. Songs are immediately engaging and the melodies are infectious. Better yet - the album has staying power. Songs like "Skin," "Lay It Down," and "The Healing Colors of Sound" are simply beautiful. I'm so glad I got this album as it's probably going to be inducted into my mental Hall of Fame as an album that is sewn into my heart. Wow... that was cheesy but totally true. Simply fantastic.
Useless Fact: I have the reissue which has two extra demo tracks. Also, "The Healing Colors of Sound, Pt. 1" begins what is really one big long song, just broken up into different tracks.
Monday, January 11, 2016
Gama Bomb - Untouchable Glory
1. Ninja Untouchables/Untouchable Glory
2. Avenge Me!
3. Drinkers, Inc.
4. My Evil Eye
5. Tuck Your T-Shirt In
6. Ride the Night
7. She Thing
8. Witching Mania
9. James Joints
10. Raging Skies
11. I Will Haunt You
12. After the Fire
I'm a little bit sad that I didn't pick this one up earlier. That way it could have been a contender for picks of the year for 2015. Oh well... there's next year right? Anyway, Gama Bomb continues their thrash metal assault against the senses with another blistering release. One challenge the band has always faced is making their songs distinctive. Admittedly, it's hard to do that when you're just balls to the wall thrash. However, I'd say Untouchable Glory is probably their most catchy and memorable album to date. Each song has a cool riff or hook to differentiate it from the rest. They even slow things down a bit with "Tuck Your T-Shirt In" - and by, "slow down a bit" I mean "not be pummeling for a few bars." Remember when I said back in the Citizen Brain review that I didn't know if I'd want album after album of this? Wow... what innocent times. I would totally want album after album of this. I think it's the combination of thrash and tongue-in-cheeck, self aware lyrics, giving the music a playful sense of fun that keeps me coming back for more. Put simply, Gama Bomb rocks.
Useless Fact: If you couldn't tell, the cover art is inspired by 70's Kung-Fu films. Though the songs don't really follow suit, they're more about various sci-fi/horror/pop culture stuff.
Saturday, January 2, 2016
I’ve been reviewing music on this blog for over six years. Wow! It seems like a long time. Though sometimes I get bored and pick an artist one year and explore their discography a bit. You may have noticed. Last year I went through the Beastie Boys catalog, the year before it was Tom Petty. However, this year I’ve decided to make it an official thing – pick one band and really make an event of it. I’ll review one album each month and decide if I really am a fan.
After much deliberation I chose Genesis. My experience with them started when I was still in the single digits, age-wise. I’m mostly familiar with their Invisible Touch material – more specifically, the song “
.” It was one of those
truly iconic videos that always stuck with me as being surreal and rather
frightening. Those strange looking puppets along with the urgency of the song
really struck a chord with me. I watched it again the other night and my wife
said, “This video is truly horrifying.” I loved the song, though. Still do. I’d
also heard the album’s title track and really enjoyed that as well. Peter
Gabriel’s videos for “Big Time” and “Sledgehammer” were MTV staples. Back in
the day, I’d watch for hours just to see those two clips. I’ve even enjoyed a
lot of Phil Collins’ solo songs. Hey, don’t hate - good tunes is good tunes. When
I finally had two digits in my age, I’d be glad to see “Jesus He Knows Me” and
“I Can’t Dance” pop up on MTV. Land
I was ignorant of their status as progressive rock legends until much later. I was far too young to have heard any of that material. My music exposure at the time was limited to radio stations and MTV. If it wasn’t played on either of those outlets, I didn’t hear it. In my early twenties, a co-worker let me borrow a copy of Nursery Cryme for me to sample. I remember absolutely none of it. What I do remember was not being that impressed. But, hey, I was young and stupid (Well… stupid at any rate. I don’t ever remember being young). I like progressive rock and I like pop music, Genesis has done both reasonably well. Seems like a good fit to me.
So here I am in 2016, ready to dive down and really dig into this band with whom I’m only passingly, but positively familiar with. The rules will be a little different for this project. I’m going to do a bit more detailed write-ups for these albums. I wanted to really marinate in each piece and take notes before I write up the reviews. I’ll even be…like…revising them and stuff. I want these to be a cut above what I normally do. There will be one Genesis review at the end of every month. I’ll still be doing my informal paragraph-long reviews as well.
The tentative schedule for my experience is as follows:
March: We Can’t Dance
By The Pound England
May: Invisible Touch
June: Trick of the Tail
August: Nursery Cryme
October: The Lamb Lies Down on Broadway
November: …And Then There Were Three
December: Wind and Wuthering
I say “tentative” because I may change the schedule a little bit or replace an album in the line-up. At the end of each review I’ll let you know which one is next in case I do change.
Okay, I know what you’re asking: why start with Duke?
The answer is… it seems like good middle ground. I’ve heard that Duke is sort of the mid-point for the band’s career, mixing progressive rock with more pop sensibilities. In all honesty, that sounds like my kind of album! It also comes highly recommended. There’s this article that recommends Duke for those who want to get familiar with prog-rock. I also have the whole-hearted endorsement of a movie psycho. If that weren’t enough, there’s this article from a fellow gamer and prog-rock lover, Jeremy Parish. Oh, and don’t forget NolifetilMetal’s Scott Waters likes it too. So it seems like the place to start. I’ve also tried to pick albums from the band’s entire catalog, switching it up each month - one month I’ll do something progressive and another more pop. That way I’ll have palate cleansers and, hopefully, be more objective.
As I said before, I like both progressive rock and pop. I won’t be too worried about questions like “who ruined the band?” and the like. I don’t care. I will be listening to these pieces long after the fact and I will only have one question in mind. Namely, do I like it? I won’t be worried about its history or its placement in the band’s discography. No, each album will be a singular experience and that’s how I will rate it. At least that’s what I hope to do… Oh yeah! That’s the other thing, I’m actually going to give each album rating from one to five (five being the best, naturally).
One last thing, I don’t expect to find the band “ruined.” See, sometimes fans don’t realize that our favorite artists kind of get tired doing the same thing over and over again. Case in point: Deliverance. Deliverance remains one of my favorite bands of all time. They started life as a speed metal band, but gradually become a more melodic, more alternative sounding band. Everyone hated that. They wanted speed metal or nothing. Forget the fact that the band had been doing speed metal for almost ten years. Some artists want to try different things and that’s not wrong.
I suspect something similar happened to Genesis. It’s great to do sprawling epic progressive masterpieces. But I bet it’s just as good to put together a strong three-minute pop song. I can see where all the theatrics might get tiresome after awhile. Playing a ten-minute song probably takes a lot out of you. Also, I would bet pop music pays better. And as someone who’s had to worry about whether or not I could buy toilet paper, financial security is nothing to sneeze at.
So join me, won’t you? It’s should be a fun and enlightening year!
Monday, December 21, 2015
Hello everyone! Over at my You Tube channel I did a little series of videos on each Advent Sunday this year talking about different Christmas related things. I thought I'd share that playlist here too as my last post for the year. Merry Christmas everyone! God bless us, everyone!
Episode One: Christmas Memories and Greetings
Episode Two: Christmas Music
Episode Three: Christmas Movies
Episode Four: Faith
Episode One: Christmas Memories and Greetings
Episode Two: Christmas Music
Episode Three: Christmas Movies
Episode Four: Faith
Thursday, December 17, 2015
Yes, sir, it’s that time again – recapping my favorite albums from the past year. It was a pretty good year with a lot of cool stuff. Some cool stuff didn’t even make it onto the list (which makes me a bit sad), but I limited myself to five picks, so that’s what I stuck with. As always, this isn’t necessarily stuff that came out this year, just stuff I discovered though some may be new releases.
Marmozets, “The Weird and Wonderful Marmozets” – This was a Christmas present last year and it pretty much dominated the first part of the year. One part Paramore, one part fierce, technical musicianship. All parts awesome. Can’t wait to see what this band does in the future!
White Lighter, “White Lighter” – A project from former Stavesacre/Crucified frontman Mark Solomon, White Lighter is a sort of laid back, Black Sabbath-esque rock band. Their debut album came out late in 2014 but I’d only heard about it later through Solomon’s podcast. It’s a fantastic album that I listened to over and over.
Symphony X, “Underworld” – Symphony X continues to impress with another stellar release. Not quite as heavy as “Iconoclast” but it makes up for it with melodic hooks and catchy tunes. It’s even got a little bit of a commercial vibe which, surprisingly, actually helps the album rather than hurt it.
I Fight Dragons, “The Near Future” – I like catchy tunes and I like the original Nintendo, so… I pretty much have to love this album.
Queensryche, “Condition Human” – Welcome back, guys. Welcome back. Queensryche is energized and full of life once again. While I do think it might fall just short of true classic status, I have no doubt they are going to create the next “Mindcrime” or “Empire” of their careers with Todd LaTorre. I cannot wait to see what they do next.
Jerry Gaskill, “Love & Scars”
Coheed & Cambria, “The Color Before the Sun”
Tourniquet/Ted Kirkpatrick, “Onward to Freedom” – Well, there’s certainly enough talent on this disc that, mathematically speaking, it should be good. Right? Unfortunately the songs are largely forgettable and the preachy PETA lyrics don’t help matters any.
Meghan Trainor, “Title” – It’s unfortunate that the subject matter on Trainor’s debut album is so annoying. We get it… you’re an independent woman who don’t need no man – except when you do. They you’re mad because that idiot you’re messing around with treats you bad. I really hope this is a persona instead of Trainor’s real life.
The Gentle Storm, “The Diary” – Here’s another album that should be one of my picks. Arjen Lucassen and Anneke Van Giersbergen team up for a Celtic-influenced heavy/pop album. It should work! For some it does. Me, however, it just didn’t seem to do anything for me. I never really found myself going back to it. Oh well… we are due for another Star One record soon…
Atomic Opera, “Gospel Cola” – No surprise here. I loved “For Madmen Only” but heard “Gospel Cola” had fallen short. I held out hope that maybe I would really latch onto it but, nope, I didn’t. It’s as mediocre as everyone has said. Sad face.
I’m going to so something a little different next year. Not too much different as there will still be my regular reviews. However, I will be spending one review each month to a specific thing. Get ready for…. THE GENESIS PROJECT! Want to find out more? Watch the video edition!